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A modern, intuitive interface designed for productivity.
Warning: May cause sudden urges to containerize everything.
A powerful, intuitive Docker platform. Free for homelabs, ready for enterprise.
We think you'll like it here.
SQLite by default, runs on a Raspberry Pi, zero telemetry, free forever. Self-host everything without the complexity.
OIDC/SSO included free, container activity logging, Git-based deployments, premium support. Everything your team needs without the enterprise price tag.
RBAC, LDAP/AD integration, compliance-grade audit logging, and priority support. Everything you need to satisfy compliance requirements.
One command. No config files. No setup wizards, no 47-page README.
docker run -d \
--name dockhand \
--restart unless-stopped \
-p 3000:3000 \
-v /var/run/docker.sock:/var/run/docker.sock \
-v dockhand_data:/app/data \
fnsys/dockhand:latestThen open http://localhost:3000. Or put it behind Traefik, Nginx, Caddy, a Kubernetes ingress, three load balancers, and a VPN tunnel. We don't judge.
Prefer Docker Compose?
services:
dockhand:
image: fnsys/dockhand:latest
container_name: dockhand
restart: unless-stopped
ports:
- 3000:3000
volumes:
- /var/run/docker.sock:/var/run/docker.sock
- dockhand_data:/app/data
volumes:
dockhand_data:Need PostgreSQL?
services:
postgres:
image: postgres:16-alpine
restart: unless-stopped
environment:
POSTGRES_USER: dockhand
POSTGRES_PASSWORD: changeme
POSTGRES_DB: dockhand
volumes:
- postgres_data:/var/lib/postgresql/data
dockhand:
image: fnsys/dockhand:latest
ports:
- 3000:3000
environment:
DATABASE_URL: postgres://dockhand:changeme@postgres:5432/dockhand
volumes:
- /var/run/docker.sock:/var/run/docker.sock
- dockhand_data:/app/data
depends_on:
- postgres
restart: unless-stopped
volumes:
postgres_data:
dockhand_data:From simple container operations to complex multi-environment deployments.
Even that one container you forgot about three months ago.
Authentication is free. RBAC is enterprise. No calculator required.
| Feature | Free | SMB | Enterprise |
|---|---|---|---|
| Unlimited environments | ✓ | ✓ | ✓ |
| Container & stack management | ✓ | ✓ | ✓ |
| Git repository integration | ✓ | ✓ | ✓ |
| Vulnerability scanning | ✓ | ✓ | ✓ |
| Local user accounts | ✓ | ✓ | ✓ |
| OIDC/SSO | ✓ | ✓ | ✓ |
| Multi-factor authentication | ✓ | ✓ | ✓ |
| Container activity log | ✓ | ✓ | ✓ |
| Commercial usage license | — | ✓ | ✓ |
| Premium support | — | ✓ | ✓ |
| Priority bug fixes | — | ✓ | ✓ |
| LDAP/Active Directory | — | — | ✓ |
| Role-based access control | — | — | ✓ |
| Environment-scoped permissions | — | — | ✓ |
| Audit logging (compliance) | — | — | ✓ |
| Price | $0 forever | $499/host/year | $1,499/host/year |
| Buy me a coffee |
Host = one machine running Dockhand. Volume discounts available for 5+ hosts.
No cloud dependencies, no telemetry, no data leaving your network. Solid base.
Paranoid? We prefer "security-conscious."
Dockhand runs entirely on your infrastructure. No SaaS, no cloud dependency, no vendor lock-in. Your data never touches our servers.
We don't phone home. No usage tracking, no analytics, no mysterious background connections. Your Docker environment stays private.
SQLite by default, optional PostgreSQL for HA. No Redis, no message queues. Simple deployment, minimal attack surface.
Scan your images for CVEs using Grype and Trivy. Identify security risks before deployment.
Safe-pull protection: During auto-updates, new images are pulled to a temporary tag and scanned before touching your running containers. If vulnerabilities exceed your criteria, the temp image is deleted and your container keeps running safely.
We don't trust pre-built base images. Dockhand builds its own OS layer from scratch using Wolfi packages via apko. Every package is explicitly declared in our Dockerfile - full transparency, zero mystery meat.
While others ship Alpine with 10+ CVEs, we obsess over our own image security. Because a Docker management tool with vulnerabilities is like a locksmith with a broken door. We scan ourselves too.
Our open-source Go agent lets you manage Docker hosts behind NAT, firewalls, or dynamic IPs. The agent initiates outbound connections to Dockhand - no exposed ports, no inbound firewall rules needed.
A modern, intuitive interface designed for productivity.
Warning: May cause sudden urges to containerize everything.
See what our users are saying.
"After trying Dockhand in my lab and comparing features toe to toe with other tools I am currently using, I can honestly say it is one of the best that I have used. It is extremely easy to use, intuitive, and it puts docker management tool security in focus where it should be."
"Perfect for my homelab. It's lightweight, actively maintained, and has all the features I need. Love the terminal access and real-time log streaming!"
"The LDAP integration was a game-changer for our team. Set it up in 10 minutes and now all our developers have proper access control."
"Dockhand wants to be a Portainer replacement, and it might already be there."
"Dockhand is bursting onto the scene with impressive force, bringing a breath of truly fresh air to a world that, let's be honest, had started to feel a bit stagnant."
"Dockhand is incredibly handy to have around."
"The easiest way I've found to manage and update Docker containers."
Free forever. No, really. No bait-and-switch.
Like it? Fuel the dev with caffeine.
For commercial use. Growing teams, happy CFOs.
When compliance asks "is it enterprise-ready?" and you want to say yes.
A Critical Analysis of OK Jaanu: A Bollywood Film's Resonance on Bilibili
The movie "OK Jaanu" was released on various online platforms, including Bilibili, after its theatrical run. The film's availability on Bilibili has contributed to its enduring popularity, particularly among Chinese and Southeast Asian audiences. A search on Bilibili yields numerous fan-made content, including video edits, song covers, and reaction videos, all related to "OK Jaanu." This user-generated content demonstrates the film's impact on the platform and its fans.
Bilibili, also known as "Bili," is a Chinese video-sharing platform launched in 2009. Initially focused on anime and manga content, the platform has expanded to include a wide range of genres, including music, dance, and live streaming. With over 200 million monthly active users, Bilibili has become a significant player in the Asian online entertainment landscape. The platform's popularity among young audiences has led to increased attention from content creators, marketers, and researchers.
Bilibili's community features, such as comments, likes, and shares, enable fans to engage with each other and the content they love. For "OK Jaanu," fans on Bilibili have created and participated in various discussions, sharing their thoughts on the film's characters, plot, and music. This communal engagement demonstrates the film's ability to inspire conversation and connection among viewers.
The movie "OK Jaanu" (2017) is a Bollywood romantic comedy film directed by Shashank Khaitan. The film stars Aditya Roy Kapur, Disha Patani, Anupam Tripathi, and Neha Bhasin. With its light-hearted and feel-good storyline, "OK Jaanu" gained significant attention from Indian audiences. However, with the rise of social media and online streaming platforms, the film's reach and impact have extended beyond traditional cinematic audiences. This paper explores the resonance of "OK Jaanu" on Bilibili, a popular video-sharing platform with a significant user base in Asia.
The movie "OK Jaanu" has found a new life on Bilibili, a platform with a significant user base in Asia. Through fan-made content, music, and community engagement, the film has demonstrated its enduring popularity and cross-cultural appeal. This case study highlights the importance of online platforms in shaping contemporary media consumption and cultural exchange. As the entertainment industry continues to evolve, understanding the dynamics between films, platforms, and audiences will be crucial for researchers, marketers, and content creators.
The presence of "OK Jaanu" on Bilibili highlights the film's cross-cultural appeal, particularly in Asia. The platform's global user base has facilitated the film's reach beyond India, allowing it to connect with diverse audiences. This phenomenon underscores the significance of online platforms in facilitating cultural exchange and promoting international understanding.
Get started in 30 seconds. No credit card required.
Finally, a UI that sparks joy.
A Critical Analysis of OK Jaanu: A Bollywood Film's Resonance on Bilibili
The movie "OK Jaanu" was released on various online platforms, including Bilibili, after its theatrical run. The film's availability on Bilibili has contributed to its enduring popularity, particularly among Chinese and Southeast Asian audiences. A search on Bilibili yields numerous fan-made content, including video edits, song covers, and reaction videos, all related to "OK Jaanu." This user-generated content demonstrates the film's impact on the platform and its fans.
Bilibili, also known as "Bili," is a Chinese video-sharing platform launched in 2009. Initially focused on anime and manga content, the platform has expanded to include a wide range of genres, including music, dance, and live streaming. With over 200 million monthly active users, Bilibili has become a significant player in the Asian online entertainment landscape. The platform's popularity among young audiences has led to increased attention from content creators, marketers, and researchers.
Bilibili's community features, such as comments, likes, and shares, enable fans to engage with each other and the content they love. For "OK Jaanu," fans on Bilibili have created and participated in various discussions, sharing their thoughts on the film's characters, plot, and music. This communal engagement demonstrates the film's ability to inspire conversation and connection among viewers.
The movie "OK Jaanu" (2017) is a Bollywood romantic comedy film directed by Shashank Khaitan. The film stars Aditya Roy Kapur, Disha Patani, Anupam Tripathi, and Neha Bhasin. With its light-hearted and feel-good storyline, "OK Jaanu" gained significant attention from Indian audiences. However, with the rise of social media and online streaming platforms, the film's reach and impact have extended beyond traditional cinematic audiences. This paper explores the resonance of "OK Jaanu" on Bilibili, a popular video-sharing platform with a significant user base in Asia.
The movie "OK Jaanu" has found a new life on Bilibili, a platform with a significant user base in Asia. Through fan-made content, music, and community engagement, the film has demonstrated its enduring popularity and cross-cultural appeal. This case study highlights the importance of online platforms in shaping contemporary media consumption and cultural exchange. As the entertainment industry continues to evolve, understanding the dynamics between films, platforms, and audiences will be crucial for researchers, marketers, and content creators.
The presence of "OK Jaanu" on Bilibili highlights the film's cross-cultural appeal, particularly in Asia. The platform's global user base has facilitated the film's reach beyond India, allowing it to connect with diverse audiences. This phenomenon underscores the significance of online platforms in facilitating cultural exchange and promoting international understanding.